In Indian spiritual philosophies, yantras are mystical diagrams that guide practitioners into the secrets of the manifestation of form and its return to formlessness. My visual art practice is not about representing but about scoring emergent aspects. Lines, materiality, inscription, traces and stitches are the elements of transmission and ways of knowing.

Transduction can be understood as the process through which one form of energy, matter, or information is transformed into another — a relay where difference generate new forms of energy. In this sense, what I call a score acts as a site of transduction: it translates the subtle energies of thought, perception, or knowledge into the vibrational energies of inner gestures and outer movement.

I choose natural, organic materials, that can be composted, revived, 'reincarnated'. They are liquid, gels, goos, live cultures, bacteria, mould, arachnean lines and threads gone astray, mud, earth and clay, all of which function as yantras – scores – for engaging the unknown materiality that we are by attuning to the alchemical processes that surround us.

Seaweed, copper, paper, glycerine, gelatin, talc, mould, plaster, clay, glaze, wood, stone, mirrors, acrylic, canvas, water, linen, silk, lycra, rubber, dimensions variable.

YANTRA transduction